So Spinoza ultimately leads us to a naive scienticism in which we need only learn the way things 'really work', devoid of any ideological mystifications. This 'post-ideological' reign of a pure science, in which we should simply administer the means of a satisfactory life free of any overriding prescriptions or projects, is the paradigm of submission to capitalism; Spinozism thus becomes the perfect capitalist ideology. There is no place for the Cartesian subject, subtracted from the closure of this natural necessity, lacking a proper place and lost, necessitating some perhaps 'fictional' narrative of a moral telos in order to act. Indeed, in this model there is properly no 'subject', but only the free play of natural impulses which, upon assuming their modest place within the natural causal order, can live free of such delusions and the harm they cause.
This reading of Spinoza is exemplified in his discussion of Adam's fall: God does not arbitrarily prohibit Adam from eating from the Tree of Knowledge in a simple exercise of authority, with death as the punishment; God is simply warning Adam of the 'scientific fact' that this fruit would be poisonous to him, that eating it would simply 'cause' him to die... Yet as A. Kiarina Kordela puts it in her remarkable book, $urplus: Spinoza, Lacan, it matters not whether this is an arbitrary prohibition or a mere natural fact, because either way, the notion that Adam should prefer life to death would already entail an aim, that he should live, which imposes on the mere 'facts' a fictional telos. [7-8] The point, then, is that any bare scientific analysis of facts, if it is to have any relevance for us, must already be warped by some fictional (ethical) aim imposed upon them; in short, Adam would've already had to have chosen to live.
Kordela's point, in reading Spinoza 'against himself', is that there is no neutral ontology which can simply see God/nature free of any imputed aims; that we are subjects insofar as we necessitate such a fictional imposition. This is the basic Lacanian point, that any chain of knowledge is incoherent, irrelevant without the stabilizing power of the Master-Signifier, the quilting point which fastens this knowledge to some determinate course of action. This quilting point is a fiction, but a necessary one, without which the world and a 'neutral' ontological analysis thereof would have no consistency for us. Yet can we account for this necessity within Spinoza's thought, or must we resort to 'turning him against himself' so as to draw out the inconsistency of his explicit statements? While I like to think I do not succumb to what she identifies as the 'Neo-Spinozist' tendency to take his words at face value, effacing confrontation with the deadlock intrinsic in his work, I nonetheless think his explicit doctrine is more nuanced than she gives it credit for. To be fair, I have only just begun reading this truly fantastic work, and do not know exactly where she will take her reading; yet, at this early stage, I already find it quite useful in explicating my own reading of Spinoza (to what degree this reading conforms to her's I cannot yet say).
I would contend that, far from the naive position that we can be done with the illusion of ethical aims and modestly resort to a neutral scientific analysis of nature, which must be supplemented with the 'critical' assertion of the necessity of these illusions for us, we can take Spinoza a bit further. The point would then be that, if we were to attempt a truly neutral, 'aimless' dwelling within nature, we would find ourselves unable to act, to do anything. Yet far from a mark of our imperfection, our inability to recognize and fully identify with our proper place in the perfect causal order, and the resulting necessity of supplementing this imperfection with a fiction, what if we radically assert that there is nothing to recognize, that there is no 'natural necessity' to which we would conform if freed from fictive aims?
In other words, insofar as God/nature is the complete chain of causes, a 'closed mechanism', that is, insofar as God is not the constitutive exception to the totality of the world but identified directly with the totality without exception, this totality in its 'infinite perfection' is thereby incomplete, inconsistent. Without the exceptional external view which could explicate 'the next link', that is, the 'natural aim' or 'God's will', there is no way to determine the necessary course of things, inclusive of 'what I should do free of any fictive moral aims'. In other words, the only conclusion of a purely neutral knowledge of nature is that necessity coincides with impossibility, with the impossibility of determining necessity without 'taking a chance', acting without any guarantee... We can thus see how Spinoza is the paradigmatic feminine philosopher in the Lacanian sense: God/nature is 'non-All', that is, there is nothing exempted from it, there is no exempted point of God's will (or, for that matter, a 'free subject' in the vulgar sense), but for that very reason this totality cannot attain closure, it remains incomplete and 'open'. Perfection paradoxically coincides with incompleteness just as the completeness of a fictional aim which gives meaning to arbitrary natural necessity is image of imperfection.
So the 'imperfection' of man is not simply his inability to recognize his place within the perfect order of God/nature; rather, this imperfection is transposed into God/nature itself, such that the shift from imperfection to perfection is no more than a change of perspective on one and the same thing. Whereas we, even in accepting that our aims are ultimately fictional, 'relative', may still continue to posit the divine chain of natural causes as simply epistemologically inaccessible to us, though complete in-itself, Spinoza radically asserts, with his 'third kind of knowledge' (intuition), that we can in fact directly know this perfection; my hermeneutical claim is that this 'intuition' involves no more than transposing this inaccessibility of a complete knowledge of perfection into the very incompleteness of perfection itself. We are thus this incompleteness of the Divine as 'for-itself'. (Furthermore, I would propose against Kordela that Deleuze's reading of Spinoza is not filtered through some vulgar Bergsonian vitalism; rather, if we take his understanding of intuition in Bergson as determined by the Spinozan concept as I read it, we can see that, rather than a 'Bergsonized Spinoza', Deleuze already 'Spinozizes Bergson'; I think his reading of élan vital as not some vulgar Universal Life, but rather a principle of self-difference, is evidence in this direction.)
So, to be precise, if we take Spinoza's God/nature along the same lines as the Lacanian assertion that 'God is unconscious', this does not mean that without the fictions constitutive of consciousness we would find a 'true' necessity, a 'proper place' within nature; rather, God/nature is ultimately no more than the impossibility of discovering such a necessity, the limit internal to every aim that prevents it from coinciding with itself, the very incompleteness of perfection as such. Indeed, Kordela hints at such a reading when she insists that Spinoza's assertion that God has no will, that nature is ultimately 'aimless', is to be read in the same way as Lacan's 'the big Other does not exist':
Lacan...maintains that the Other is inconsistent, that "there is no Other of the Other," that the Other in itself has no will or aim... [H]e adopts the Spinozian conception of history as aimless, and supplements it, according to the Spinozian conception of truth, with a willful and intentional gaze (and, hence, aim), which, however, is "a gaze imagined by me in the field of the Other". And precisely as subjects, who depend on fictional impositions of aims in order to make sense of the world, we are no more than this gaze already inscribed in God: not God's will, but God's opaqueness to itself, the fact that even God does not know his own will, that precisely as perfect, God cannot explain why necessity itself is necessary. Think, for example, of God's speech at the end of the Book of Job, in which he enumerates his own creations as if he himself is amazed at them, as if they are inexplicable even to their creator.
Thus, if freedom is affirmed necessity, it is precisely the assumption of the 'miraculous', inexplicable character of this necessity, the fact that not even God can explain why this was necessary. Spinoza never really elaborates a theory of the subject because the subject is no more than this splitting internal to the divine perfection of nature, this incompleteness/openness that is perfection, necessity. To return to the example of Adam, it is not simply that Adam, in order to make a decision regarding the fruit, must choose some aim (to live or to die), out of ignorance of what God really wants from him; the point is that God himself does not know what he wants of Adam, and hence must leave the decision up to Adam's ignorant, impulsive hubris. The gaze desperately seeking meaning from God is already inscribed in God himself, and is, far from a mark of imperfection, is precisely his perfection as such.
Of course this is only the preamble to such a reading of Spinoza, and I am here setting myself a task I probably won't even begin until my thesis is finished. And I still have a long ways to go in Kordela's book, among others. In any case, I highly recommend $urplus, which presents in my opinion the most original and exciting reading of Spinoza since Deleuze. Whether or not it supports my position, that Spinoza is already a 'critical' philosopher in the strict sense, has yet to be seen, but I am resolute that this is in fact the case. What this means is that, far from reducing deontology to ontology, fictive 'oughts' to the scientific 'is', any more than maintaining the gap between them, Spinoza more radically transposes the gap into the 'is' itself, so that Ethics is the name of the impossible coincidence of God/nature, of the One, with itself. The ethical subject then must assume this gap as his very being, he must identify with this gap/incompleteness that defines the perfection of God/nature.
Contrary to Žižek, Spinoza does not reduce deontology to ontology, but rather raises ontology to deontology. Thus we at the same time denounce fictive 'oughts', ideological aims imposed on the world, and a pure necessary order of 'is' accessible to science: the is, the Being of God/nature, is said only of the must, the vertiginous decision of the subject absent of any justification through aims (the Lacanian act): it is this tautological assertion of an act without any grounding in symbolic coordinates that would 'make sense of it' which selects what must be, which remakes 'what is' by dissolving the symbolic framework that previously defined it, retaining only that which can endure a new evaluation (ultimately, no more than the New itself in History, in the guise of the failed attempts to break out of the given symbolic order which were rendered meaningless by that very order; the act is thus one of Benjaminian Redemption). The is, the Lacanian Real, is ultimately nothing but this immanent limit of symbolization, this necessary inconsistency of every symbolic order, and hence the potential for the New to escape its confines.